Dolly Suite

SM-000287409

Ouvir

olhe dentro

Sheet music file

PDF, 2.26 Mb (95 p.)

descripção

Compositor: Gabriel Fauré
Arrajador: Philip Le Bas
Editora: Philip Le Bas
Gênero: Clássico / Música de Câmara
Instrumentação: Flauta, Clarinete, Fagote, Oboé, Trompa francesa, Clarinete baixo
Composição para: Quinteto
Tipo de composição: Partitura completa, Partes
chave: Mi (E) maior
movimento(s): 1 para 6 de 6
duração: 17'0"
dificuldade: Difficult
Ano de composição: 1896
descripção: Faure’s piano duet entitled “Dolly Suite” is here arranged by Philip Le Bas for a wind quintet with a difference: the clarinettist is asked play bass clarinet in three of the six pieces. This gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. “Dolly” was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.
1) The “Berceuse” (lullaby) is best remembered as the theme tune to the BBC’s “Listen with Mother”, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)
2) “Mi-a-ou” has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.
3) “Le Jardin de Dolly” is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.
4) “Kitty-Valse” again has nothing to do with cats but with the family dog “Ketty”, who whirls round and round, in unrelenting cheerfulness.
5) In “Tendresse” Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.
6) The last piece, “Le Pas Espagnole” is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s “Espana”, and here the wind players can enjoy playing at “full tilt” in an exciting and tuneful end to the suite.
data de postagem: 30 abr 2017
total de downloads: 38

comentários

0:00

00:00